Proposal for The Something at the The Berkeley Art
Museum
SFAI Contemporary Practice
Class
Collaborative Installation
April 2014
Working Title: The
Mothership
This collaborative project
focuses on concepts of place, particularly the Bay Area as a generative conduit
for culture, music, technology, artistic process and exploration. We
are inspired by the materiality of The Something and its focus on
experimentation, viewer participation, music, moving imagery, and shiny
things. At the same time, we are interested in culling inspiration
from the Funk Art movement whose moniker was coined by Peter Selz at the
Berkeley Art Museum in 1967. Funk artists too were interested in
found and everyday objects, a transgressive sense of humor, experimentation,
and audience participation. Funk as “an assault on one’s senses”[1] speaks
to how we collectively might consider place and our experiences with
dis/placement and re/placement as we come together in our first semester at
SFAI. Participants come from different places, cultures, and
backgrounds and are coming together and contributing to the collaboration with
various interests, experiences and skill sets.
We have two different threads
of exploration. One thread will culminate with a book created
through an exchange system amongst class members (hopefully printed through
Hexagon Press). Through various strategies including some
Fluxus ideas of chance and game-playing, participants will ask each other
questions regarding a sense of place and interrogating the process of
collaboration itself. The book and perhaps an accompanying diaristic blog
and/or website will take form through this call and response. The other
thread finds form in a sculptural installation that will incorporate the
materials that already exist within The Something’s installation as well as a
number of found objects supplied by SFAI participants. We will also
incorporate videos related to the ideas of process and of journey, the
journey of getting from the San Francisco Art Institute to the Berkeley Art
Museum, of getting from each participant's current home to SFAI and even the
path that brought participants from their former homes to SFAI and the Bay
Area. The journey and progression of making the installation itself will
also be documented and incorporated in some way. Both projects will
exist within the space that has been allotted to us by The Something and the
book will be available for viewers to take.
It is important for participants to communicate their deepening understandings of a sense of place from their experiences before arriving in the Bay Area to their shifting understandings of place within their first semester of artistic exploration at the San Francisco Art Institute. Participant's sense of place also responds and reflects the expansive ideas generated by The Something as well as the institutional frame and legacy of the Berkeley Art Museum and the Bay Area itself.
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